Four women walk calmly through the morning haze, their skin carrying the memory of a people. The geometric markings are not tribal, but imagined—surreal, poetic inventions. The scene echoes the work of Leni Riefenstahl, the German artist who photographed the Nuba in the 1970s—admired for beauty, criticized for ideology. Here her vision is reinterpreted: a homage stripped of propaganda, celebrating dignity and quiet strength.
